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 | | Three Plays: Desire Under The Elms, Strange Interlude, Mourning Becomes Electra by Eugene O'Neill ISBN-10: 9780679763963 ISBN-10: 0-679-76396-1 ISBN-13: 9780679763963 ISBN-13: 978-0-679-76396-3 Paperback 1995-10-31 Vintage Find Lowest Price |
Editorials | ||
Product Description These three plays exemplify Eugene O'Neil's ability to explore the limits of the human predicament, even as he sounds the depths of his audiences' hearts. | ||
Reviews | ||
Desire Under the Elms Its the only play i read in the book. It was an interesting read. The dialect is sometimes hard to understand, only a few words though. The play is fast moving and interesting. The scandalous Eben-???(dont want to ruin it for you) relationship is unexpected and dramatic. Perhaps too dramatic, in a rome and juliet complex. | ||
mourning becomes elektra Oneill, death death death, this is rereleased in vintage 1958, mourning becomes electra , strange interlude, required reading for all playwrights of our era. | ||
THREE MASTERPIECES Each of the three plays in this volume are beautiful in their own way, with a poignant message that you'll be the better for hearing. O'Neill's genius is breathtaking and sometimes I wonder how he does it. Out of all his plays, there's not a stinker in the bunch. | ||
need some ideas i need a thesis for a paper on strange interlud | ||
Three great and rarely performed plays by Eugene O'Neill One of these three great plays by Eugene O'Neill is Strange Interlude which was written in 1923 and won the Pulitzer Prize in 1928 when it originally ran on Broadway. Its running time is over four hours and it is usually performed with a dinner break. It is a family chronicle, of sorts, following the life of Nina Leeds and her family in a small university town in New England - from her early days as a young woman mourning the loss of her ideal lover during WWI, through her middle age years. It is the story of a family's secret and their determination to keep this secret unknown by others, and sometimes even to themselves. The play's most unusual quality, though, is found in the words that each character speaks. Not only do they converse with each other using naturalistic dialogue, but they also voice their subtext, which is unheard by the other characters in the play, but is heard by the audience. This device brings to the surface the secret life that each character in the play carries with them but is not willing to reveal to others. It creates, in the audience, as if it were another character in the play, a "sharer" of these stage characters' secrets. Through it all we view the lives of these characters with a fondness, and we root for them. Perhaps we root for them because we know, very much, why they are doing the things they do to each other. The two other plays are well worth the experience of reading and/or seeing on stage. Mourning Becomes Electra, based on the Greek Electra myth, is especially wonderful. Its set in post civil war america and like Strange Interlude its length makes it a rare theatre treat to see performed on stage. | ||