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![]() | Proust Was a Neuroscientist by Jonah Lehrer ISBN-10: 9780618620104 ISBN-10: 0-618-62010-9 ISBN-13: 9780618620104 ISBN-13: 978-0-618-62010-4 Hardcover 2007-11-01 Houghton Mifflin Harcourt Find Lowest Price | |
Editorials | ||
Product Description In this technology-driven age, it’s tempting to believe that science can solve every mystery. After all, science has cured countless diseases and even sent humans into space. But as Jonah Lehrer argues in this sparkling debut, science is not the only path to knowledge. In fact, when it comes to understanding the brain, art got there first. Taking a group of artists — a painter, a poet, a chef, a composer, and a handful of novelists — Lehrer shows how each one discovered an essential truth about the mind that science is only now rediscovering. We learn, for example, how Proust first revealed the fallibility of memory; how George Eliot discovered the brain’s malleability; how the French chef Escoffier discovered umami (the fifth taste); how Cézanne worked out the subtleties of vision; and how Gertrude Stein exposed the deep structure of language — a full half-century before the work of Noam Chomsky and other linguists. It’s the ultimate tale of art trumping science. More broadly, Lehrer shows that there is a cost to reducing everything to atoms and acronyms and genes. Measurement is not the same as understanding, and art knows this better than science does. An ingenious blend of biography, criticism, and first-rate science writing, Proust Was a Neuroscientist urges science and art to listen more closely to each other, for willing minds can combine the best of both, to brilliant effect. | ||
Amazon.com Review Amazon Significant Seven, December 2007: Proust may have been more neurasthenic than neuroscientist, but Jonah Lehrer argues in Proust Was a Neuroscientist that he (and many of his fellow artists) made discoveries about the brain that it took science decades to catch up with (in Proust's case, that memory is a process, not a repository). Lehrer weaves back and forth between art and science in eight graceful portraits of artists (mostly writers, along with a chef, a painter, and a composer) who understood, better at times than atomizing scientists, that truth can begin with "what reality feels like." Sometimes it's the art that's most evocative in his tales, sometimes the science: Lehrer writes about them with equal ease and clarity, and with a youthful confidence that art and science, long divided, may yet be reconciled. --Tom Nissley | ||
Reviews | ||
Proust Was a Neuroscientist This is one of those books that you don't want to put it down until you are finished it. A lot of fun,very interesting insights, very well written! | ||
In defense of Jonah Lehrer...all things considered it is very good. I read this book several weeks ago and originally had decided not to publish a review. However, as of my writing this, Lehrer is getting a little too beat up for my tastes - and undeservedly so. First, Lehrer is a smart guy. He is a Rhodes Scholar and he didn't just work in any old lab; he worked in Nobel Prize winner Eric Kandel's (In Search of Memory: The Emergence of a New Science of Mind) lab. Second, this is not a bad book, if you judge it for what it is. There is a long standing feud between the Sciences and the Humanities. This feud was what inspired E. O. Wilson to write Consilience: The Unity of Knowledge. Another good book that covers this dichotomy is Human Nature: Fact And Fiction - Literature, Science And Human Nature. Bridging this gap is difficult to do, and with that as Lehrer's goal, I think he does a fine job. I don't actually believe in Lehrer's `heart-of-hearts' that he truly believes "Proust WAS a neuroscientist", he is simply trying his best to speak allegorically. The same is true for everyone in the book: 1) Walt Whitman - The Substance of Feeling, 2) George Eliot - The Biology of Freedom, 3) Auguste Escoffier - The Essence of Taste, 4) Marcel Proust - The Method of Memory, 5) Paul Cezanne - The Process of Sight, 6) Igor Stravinsky - The Source of Music, 7) Gertrude Stein - The Structure of Language and 8) Virginia Woolf - The Emergent Self. In conclusion, I really enjoyed this book and have recommended it to others. There are indeed many things that Lehrer nails down tight and gets absolutely right. You could read either Brainstorming: Views and Interviews on the Mind or Mind and Consciousness: 5 Questions to see that this is so. His writing style is elegant and well-dressed. Lastly, I preferred this book to his newest one How We Decide, although they are quite different. | ||
Fast delivery! I received this book within 36 hrs of ordering it with no extra charge for shipping. | ||
Proust was a Neuroscientist very interenting essays...it will make you ponder and THINK! I buy this book for gifts. | ||
a waste of a good title Half way through the first chapter I found myself looking at the back cover to determine this guys credentials for writing this book and found, not at all to my surprise, that he was not a scientist (which in itself is not bad except for the gross misinterpretation of the scientific literature). The book was repetitive at some points trying to beat into your head a small point that seem to be extracted from a slither of evidence. On the other hand it provided me with a prospective on the lives of modern artist (Elliot, Whitman etc...)that I have not seen before. If you are a scientist or aspiring scientist interested in the historical and creative connection between scientist and artist (of which there is a long well documented history) you may find this book somewhat disappointing as I did. unfortunately if you are an artist interested in the connection between artist and scientist you may just be mislead. | ||