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![]() | Interpreting Shakespeare On Screen by Deborah Cartmell ISBN-10: 9780312233921 ISBN-10: 0-312-23392-2 ISBN-13: 9780312233921 ISBN-13: 978-0-312-23392-1 Hardcover 2000-09-30 Palgrave Macmillan Find Lowest Price | |
Editorials | ||
Product Description This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen, within the classroom, and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race, and nationalism. DeborahCartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998). | ||
Book Description This book explores Shakespeare films as interpretations of Shakespeare's plays as well as interpreting the place of Shakespeare on screen, within the classroom, and within the English curriculum. Shakespeare on screen is evaluated both in relation to the play texts and in relation to the realms of popular film culture. The book focuses on how Shakespeare is manipulated in film and television through the representation of violence, gender, sexuality, race, and nationalism. DeborahCartmell discusses a wide range of films, including Orson Welles' Othello (1952), Kenneth Branagh's Much Ado About Nothing (1993), Peter Greenaway's Prospero's Books (1991), Baz Luhrmann's William Shakespeare's Romeo and Juliet (1996) and John Madden's Shakespeare in Love (1998). | ||
Reviews | ||
A very thin book While very clearly written, this book disappoints both in the brevity with which it treats its subject and in the simplistic arguments it makes. The author is upset that filmmakers have not listened to academic (politically correct) critics. Branagh is bashed for being sexist, racist, you name it. Cartmell's book could be pedagogically useful, however, in creating discussion and debate among high school and college students. | ||