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191-200
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 | | Masaccio's 'Trinity' (Masterpieces of Western Painting)
by Rona Goffen (Editor)
Hardcover, 176 Pages, Published 1998
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 | | Richard Wollheim on the Art of Painting: Art as Representation and Expression
by Rob Gerwen (Editor)
Hardcover, 300 Pages, Published 2001
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 | | Records of the Dawn of Photography: Talbot's Notebooks P & Q
by Larry J. Schaaf
Hardcover, 449 Pages, Published 1996
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 | | 'If Mine Had Been the Painter's Hand': The Indeterminate in Nineteenth-Century Poetry and Painting (Literature and the Visual Arts)
by Lawrence J. Starzyk
Hardcover, 299 Pages, Published 1998
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 | | Paintings: Genuine, Fraud, Fake: Modern Methods of Examining Paintings
by Roger Hendrick Marijnissen
Hardcover, 415 Pages, Published 1987, New Ed Edition
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 | | Bitter Witness: Otto Dix and the Great War (German Life and Civilization)
by Linda F. McGreevy
Paperback, 467 Pages, Published 2001
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 | | The Academy and the Limits of Painting in Seventeenth-Century France (Cambridge Studies in New Art History and Criticism)
by Paul Duro (Editor)
Hardcover, 314 Pages, Published 1997
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 | | Velázquez, Los Borrachos, and Painting at the Court of Philip IV
by Steven N. Orso
Hardcover, 224 Pages, Published 1994
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 | | Pre-Raphaelites Re-Viewed (Cultural Politics)
by Marcia Pointon (Editor)
Hardcover, 192 Pages, Published 1989
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 | | Style in the Art Theory of Early Modern Italy
by Philip Sohm
Hardcover, 328 Pages, Published 2001
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