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| Books 1 - 10 of 15 | Previous | Next |
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 | | The Subjects of Art History: Historical Objects in Contemporary Perspective (Cambridge New Art History & Criticism)
by Mark A. Cheetham (Editor), Michael Ann Holly (Editor), Keith Moxey (Editor)
Paperback, 348 Pages, Published 1998 by Cambridge University Press
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 | | Alex Colville: The Observer Observed
by Mark Cheetham
Paperback, 140 Pages, Published 1994 by Ecw Press
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 | | The Rhetoric of Purity: Essentialist Theory and the Advent of Abstract Painting (Cambridge Studies in New Art History and Criticism)
by Mark A. Cheetham
Paperback, 216 Pages, Published 1994 by Cambridge University Press
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 | | Abstract Art Against Autonomy: Infection, Resistance, and Cure since the 60s
by Mark A. Cheetham
Hardcover, 192 Pages, Published 2006 by Cambridge University Press
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 | | Theory between the Disciplines: Authority/Vision/Politics
by Martin Kreiswirth (Editor), Mark A. Cheetham (Editor)
Hardcover, 274 Pages, Published 1990 by University of Michigan Press
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 | | Kant, Art, and Art History: Moments of Discipline (1st Edition)
by Mark A. Cheetham
Hardcover, 232 Pages, Published 2001 by Cambridge University Press, 1st Edition
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 | | Editing the Image: Strategies in the Production and Reception of the Visual (Conference on Editorial Problems)
by Mark Cheetham (Editor), Elizabeth Legge (Editor), Catherine M. Soussloff (Editor)
Hardcover, 240 Pages, Published 2008 by University of Toronto Press
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 | | Remembering Postmodernism: Trends in Recent Canadian Art
by Mark A. Cheetham, Linda Hutcheon
Paperback, 160 Pages, Published 1991 by Oxford University Press, USA
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 | | Reading Rooms
by Bruce Barber, Mark Cheetham (Introduction)
Paperback, 140 Pages, Published 1992 by Eye Level Gallery
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 | | Matting the monochrome: Malevich, Klein, and now.(Features)(Critical essay) : An article from: Art Journal
by Mark A. Cheetham
Digital, Published 2005 by Thomson Gale
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| Books 1 - 10 of 15 | Previous | Next |