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 |  | Surfaces: Color, Substances, and Ritual Applications on African Sculpture (African Expressive Cultures) by Leonard Kahan (Editor), Donna Page (Editor), Pascal James Imperato (Editor) Hardcover, 544 Pages, Published 2009 by Indiana University Press
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 |  | Surfaces: Color, Substances, and Ritual Markings on African Sculpture by Donna Page, Leonard Kahan Hardcover, Published 2004 by Holmes & Meier Publishers
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 |  | Surfaces: Color, Substances, and Ritual Markings and African Sculpture by Donna Page, Leonard Kahan Paperback, Published 2007 by Holmes & Meier Pub
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 |  | Africa's Cross River (Art of the Nigerian Camerooon Border Redefined) by Suzanne Preston Blier, Thomas Fiest (Photographer), Leonard Kahan (Introduction) Paperback, 26 Pages, Published 1980 by Lkahan Gallery inc.
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 |  | The tribal bead: A handbook of African trade beads by Albert F Gordon, Leonard Kahan Pamphlet, 25 Pages, Published 1976 by Tribal Arts Gallery
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 |  | Two: Aspects of the Doubled Image in African Art: Tribal Arts Gallery 2 by Albert Gordon, Leonard Kahan, Alfred L. Scheinberg (Introduction) Paperback, Published 1976 by Tribal Arts Gallery 2
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 |  | Africa's Cross River (Art of the Nigerian Cameroon Border Redefined) by Suzanne Preston Blier, Thomas Feist (Photographer), Leonard Kahan (Introduction) Paperback, 26 Pages, Published 1979 by Lkahan Gallery Inc
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 |  | Do bondholders lose from junk bond covenant changes? (Working paper) by Marcel Kahan Unknown Binding, 8 Pages, Published 1992 by New York University Salomon Center, Leonard N. Stern School of Business
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 |  | Investment opportunities and the design of debt securities (Working paper series) by Marcel Kahan Unknown Binding, 17 Pages, Published 1996 by New York University Salomon Center, Leonard N. Stern School of Business
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 |  | Private vs. public lending: Evidence from covenants (Working paper series) by Marcel Kahan Unknown Binding, 12 Pages, Published 1993 by New York University Salomon Center, Leonard N. Stern School of Business
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