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 | | Who Owns Antiquity?: Museums and the Battle over Our Ancient Heritage
by James Cuno
Hardcover, 256 Pages, Published 2008 by Princeton University Press
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 | | Whose Muse?: Art Museums and the Public Trust
by James Cuno (Contributor), Philippe De Montebello (Contributor), Glenn D. Lowry (Contributor), Neil MacGregor (Contributor), John Walsh (Contributor), James N. Wood (Contributor)
Hardcover, 208 Pages, Published 2003 by Princeton University Press
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|
 | | The Silk Road and Beyond: Travel, Trade, and Transformation (Museum Studies)
by James Cuno (Contributor), Yo-Yo Ma (Contributor), Milo Beach (Contributor), Karen Manchester (Editor)
Paperback, 96 Pages, Published 2007 by Art Institute of Chicago
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 | | Notable Acquisitions at the Art Institute of Chicago (Museum Studies)
by James Cuno
Paperback, 96 Pages, Published 2006 by Art Institute of Chicago
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|
 | | Subjects: Prints and Multiples by Jonathan Borofsky, 1982-1991
by Jonathan Borofsky, James B. Cuno, Ruth Fine
Hardcover, 111 Pages, Published 1992 by Hood Museum of Art
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 | | French Caricature and the French Revolution, 1789-1799
by James Cuno (Editor)
Paperback, Published 1989 by Grunwald Center for the
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 | | Whose Culture?: The Promise of Museums and the Debate Over Antiquities
by James B. Cuno (Other Contributor)
Hardcover, Published 2009 by Princeton University Press
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 | | Subject (S : Prints and Multiples By Jonathan Borofsky 1982-1991)
by Jonathan Borofsky, James B. Cuno
Paperback, Published 1991 by Hood Museum of Art
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|
 | | Fiorades/Fizzles: Echo and Allusion in the Art of Jasper Johns
by James Cuno (Editor)
Hardcover, 322 Pages, Published 1988 by Grunwald Center For The Graphic Arts
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|
 | | Mark Manders Isolated Room Reference Book (Publication 52 in Collaboration with the Art Institute of Chicago and the Renaissance Society At the University of Chicago)
by James Cuno, Susanne Ghez, James Rondeau, Dieter Roelstraete, Mark Manders (Photographer)
Paperback, Published 2005 by ROMA
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