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 | | Why Beckett
by Enoch Brater
Hardcover, 144 Pages, Published 1989 by Thames & Hudson
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 | | Beyond Minimalism: Beckett's Late Style in the Theater
by Enoch Brater
Paperback, 224 Pages, Published 1990 by Oxford University Press, USA
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 | | Around the Absurd: Essays on Modern and Postmodern Drama (Theater: Theory/Text/Performance)
by Enoch Brater (Editor), Ruby Cohn (Editor)
Paperback, 328 Pages, Published 1992 by University of Michigan Press
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 | | Arthur Miller's America: Theater and Culture in a Time of Change (Theater: Theory/Text/Performance)
by Enoch Brater (Editor)
Paperback, 280 Pages, Published 2005 by University of Michigan Press
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 | | Approaches to Teaching Beckett's Waiting for Godot (Approaches to Teaching World Literature)
by June Schlueter (Editor), Enoch Brater (Editor)
Hardcover, 184 Pages, Published 1991 by Modern Language Association of America
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 | | The Theatrical Gamut: Notes for a Post-Beckettian Stage (Theater: Theory/Text/Performance)
by Enoch Brater (Editor)
Hardcover, 320 Pages, Published 1995 by University of Michigan Press
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 | | Arthur Miller's Global Theater
by Enoch Brater (Editor)
Hardcover, 168 Pages, Published 2007 by University of Michigan Press
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 | | The Drama in the Text: Beckett's Late Fiction
by Enoch Brater
Hardcover, 248 Pages, Published 1994 by Oxford University Press, USA
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 | | Theatre Journal: Women And/In Drama (Volume 42: No. 3: October 1990)
by Enoch Brater (Editor)
Paperback, Published 1990 by The John's Hopkins University Press
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 | | Drama in the Text: Beckett's Late Fiction.
by Enoch Brater
Hardcover, Published 1994 by see notes for publisher info
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