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|  | | Ed Ruscha: Course of Empire
by Joan Didion, Linda Norden, Donna De Salvo, Ed Ruscha, Frances Stark
Paperback, 64 Pages, Published 2005 by Hatje Cantz Publishers
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|  | | Museums Of Tomorrow (Issues in Cultural Theory)
by Maxwell Anderson, George Baker, Alexander Alberro, Donna De Salvo, Barbara Buhler-Lynes (Contributor), Olu Oguibe (Editor), Stefano Basilico (Editor), Maurice Berger (Editor), Jonathan Binstock (Editor), Dan Cameron (Editor)
Paperback, 234 Pages, Published 2005 by Center for Art and Visual Culture, UMBC/Georgia O'Keeffe Museum
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|  | | Giorgio Morandi
by Donna; Gale, Matthew De Salvo
Paperback, 144 Pages, Published 2002 by Tate Gallery Pubn
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|  | | Anish Kapoor: Marsyas
by Donna De Salvo, C. Balmond
Hardcover, 128 Pages, Published 2003 by Tate
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|  | | Hand-Painted Pop: American Art in Transition, 1955-62
by Calif.) Museum of Contemporary Art (Los Angeles, Ill.) Museum of Contemporary Art (Chicago, Donna M. De Salvo (Editor), Whitney Museum of American Art (Corporate Author), Paul Schimmel (Editor), Russell Ferguson (Editor), David Deitcher (Editor)
Hardcover, 256 Pages, Published 1992 by Museum of Contemporary Art
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|  | | Wide-Point: The Photography of John Chamberlain
by Donna De Salvo, John Chamberlain
Paperback, 44 Pages, Published 1993 by Parrish Art Museum, the
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|  | | Past Imperfect: A Museum Looks at Itself
by Donna De Salvo
Hardcover, 80 Pages, Published 1994 by New Press
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|  | | Staging Surrealism
by Mary Ann Caws, Donna De Salvo
Paperback, 96 Pages, Published 1998 by Wexner Center for the Arts
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|  | | Past Imperfect. A museum looks at itself. [By] Donna De Salvo with essays by Maurice Berger, Alan Wallack and a contribution by Judith Barry. Aug.-Nov. 1992.
by Southampton. The Parrish Art Museum.
Hardcover, Published 1992 by Publisher Unknown
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|  | | Staging Surrealism
by Donna De Salvo, Well-Illustrated (Illustrator)
Paperback, Published 1997 by Wexner Center for the Arts
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