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|  | | The Material and the Ideal: Essays in Medieval Art and Archaeology in Honour of Jean-Michel Spieser (The Medieval Mediterranean) (The Medieval Mediterranean)
by Anthony Cutler (Editor), Arietta Papaconstantinou (Editor)
Hardcover, 240 Pages, Published 2007 by Brill
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|  | | Dumbarton Oaks Papers, No 46: 1992 : Homo Byzantinus : Papers in Honor of Alexander Kazhdan (Dumbarton Oaks Papers)
by Anthony Cutler, Simon Franklin (Editor)
Hardcover, 338 Pages, Published 1992 by Genealogical Publishing Company
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|  | | The Hand of the Master
by Anthony Cutler
Hardcover, 320 Pages, Published 1994 by Princeton University Press
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|  | | Universum der Kunst, Das mittelalterliche Byzanz (Bd.41)
by Anthony Cutler, Jean-Michel. Spieser
Hardcover, 442 Pages, Published 1996 by C.H.Beck
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|  | | Byzance medievale: 700-1204 (L'univers des formes) (1st Edition)
by Anthony Cutler
Hardcover, 445 Pages, Published 1996 by Gallimard, 1st Edition
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|  | | The Craft of Ivory: Sources, Techniques, and Uses in the Mediterranean World (Dumbarton Oaks Byzantine Collection Publications)
by Anthony Cutler
Paperback, 64 Pages, Published 1985 by Dumbarton Oaks Research Library and Collection
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|  | | Spatantike Und Byzantinische Elfenbeinbildwerke Im Diskurs (Spstantike-Frnhes Christentum-Byzanz)
by Gudrun Buhl (Editor), Anthony Cutler (Editor), Arne Effenberger (Editor)
Hardcover, 456 Pages, Published 2007 by David Brown
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|  | | Image Making In Byzantium, Sasanian Persia And The Early Muslim World: Images and Cultural Relations
by Anthony Cutler
Hardcover, 350 Pages, Published 2008 by Ashgate Publishing
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|  | | The Art Bulletin: A Quarterly Published by The College Art Association of America: September 1969, Volume LI, Number Three
by Suzanne Lewis, Erica Cruikshank Dodd, Colin Eisler, Debra Dienstfrey Pincus, Anthony Cutler, Charles Ilsley Minott, Charles D. Cutler, Gabriel P. Weisberg, Donald Posner (Editor)
Paperback, 109 Pages, Published 1969 by The College Art Association of America
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|  | | The Freising Hodegeria
by Anthony Cutler
Paperback, Published 2002 by Diozesan Museum Freising
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